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Principles of great logo design

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hiGood logos convey the core tenets of an organization and what that organization does. Professional logo designers will perform industry and client research, brainstorm ideas, and create sketches with their client while following principles of good logo design.

Even though they’re often just small images, logos carry a whole lot of meaning — and designing one comes with a whole lot of responsibility, too. Logos are usually the most recognizable representation of a company or organization. And with more information available to the average consumer today, logos also have to quickly and effectively communicate on behalf of their brand.

To tackle such a complex challenge, many brands choose to hire outside help. But for those of us who are brand new to the logo design process, working with freelancers to design a logo can be a challenge in itself.

We thought it’d be interesting to talk to a few of these designers who know what it’s like to create logos from scratch. From the concept stage to the final product, what goes into designing a logo? How are designers able to capture an organization’s mission and personality into a single, simple image, especially when they aren’t a part of the organization themselves? Read on to find out.

What’s in a Logo?

When a designer first takes on a new logo project, he spends a lot of time trying to understand both the organization and its audience. We’ll get to the process of learning what a logo needs to “say” later, but first, let’s talk about what makes a great logo in the first place.

Most logo designers follow some iteration of these principles of great logo design:

logo design process

 

Simplicity: Is the design simple and clean enough to be flexible and easily recognizable? Is it not too busy, distracting, or confusing?
Memorability: Is it quickly recognizable? Will people only have to spend a second or two thinking about it to get it?
Timelessness: Will it still be a great logo in 10, 20, or even 50 years?
Versatility: Does it scale to different sizes without losing quality? Will it work across various media and within different contexts?
Appropriateness: Does it resonate with the desired audience?

Graphic Designer Arindam, who creates logos for Namma Kannada Naadu and other organizations, says these five principles are great for keeping designers from going too crazy when designing a new logo.

“Designers have a tendency to get excited about the prospect of designing stuff that looks cool and uses cool, new styles,” Tyler told me. “But when you’re designing a logo, you’re ultimately solving for a problem. You’re trying to convey something simply that gets across the core tenets of an organization and what that organization does. Keeping these five things in mind prevents you from getting carried away with the flash of what you’re doing. It keeps you honest.”

Designing a Logo: The Process

Step 1: Research the field/industry.

Before a designer like Tyler even thinks about putting pen to paper, he has to do his research. “Researching the field or industry helps designers get a sense of the environment the logo’s going to live in,” said Tyler. This is especially true for designers who haven’t done prior work in that field or industry. “You need to know the trends and what’s appropriate.”

The appropriate look and feel of a real estate logo, for example, is going to be different than those of a restaurant or band logo. “You’ve got to see what’s out there,” he says. “Which conventions are worth keeping? From there, you can start thinking about how to differentiate the new logo will from the tons of pre-existing ones.”

How different the new logo will be from the others depends on the context. In some cases, the logo shouldn’t be radically different because you don’t want to put people off. For example, in the health services industry, customers are looking for a certain level of comfort and familiarity; but in the concert industry, you might want to go with something more innovative and crazy. It varies wildly from field to field.

Step 2: Get to know the client.

Once the designer has a solid, objective understanding of the field or industry, it’s time to get the best possible understand of what the client does and who their target audience is.

There are two parts of this step, says Tyler. First, there’s the information you’re trying to glean from them: what they do, what they think about themselves, and who they sell to. Then, there’s the translation process. “If your client is a construction company but they talk a lot about how they’re really family-based, the challenge is translating that ephemeral idea into something concrete. How do you capture the essence of that company?”

When this part of the process is done right, it involves a lot of back and forth, asking questions, and pushing the client to articulate and deeply explain their value proposition. For newer companies, these discussions can actually be really eye opening. “A lot of companies aren’t aware of how they’re different — especially smaller companies. These logo design discussions can even help them think more about what differentiates themselves from their competitors.”

Step 3: Sketch, present, and iterate on initial ideas.

“I usually try to present the client with between two and three possibilities,” says Tyler. “Any more than that and you might find yourself doing revisions on all of your ideas, which sets you up with a lot more work and them up with a much higher bill.”

Step 4: Revise.

Sometimes, this step is only one little tweak. Other times, it’s a series of longer revisions. Tyler says he usually specifies in the original contract how many revisions he’s willing to do, which forces the client to be more thoughtful about each revision request. “Sometimes, clients ask you to start over from scratch,” he says. “You can avoid this by doing your due diligence when creating the original contract.”

Step 5: Organize the final deliverable.

Once the logo’s finished, Tyler will sort out with his client which file formats and other iterations they need that the logo might live on. For example, Icon needed their logo to fit on the bottom of a snowskate. A restaurant might need menus, signage, and t-shirts designed.

Designing a logo from scratch is a difficult creative process that takes a lot of research, knowledge of a business and its audience, and a deep consideration for the principles of logo design. But if you partner with the right designers and have a solid process in place, you should end up with something your company loves (and people can understand).

Sources: https://blog.hubspot.com/marketing/creating-logos-design-process

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